6. Italy

Ago, R. (1989). Farsi uomini. Giovani nobili nella Roma barocca [To become a man: young aristocrats in baroque Rome]. Memoria: Rivista di Storia delle Donne,27(3), 7–21.

Baker, Aaron & Vitullo, Juliann (2001). Screening the Italian–American male. In Lehman, P. (Ed.). Masculinity: bodies, movies, culture. AFI film readers. New York: Routledge.

Balzaretti, R. (1998). Men and sex in tenth–century Italy. In Hadley, D. M. (Ed.). Masculinity in medieval Europe. New York: Addison Wesley Longman.

Bellassai, S. (2003).Mascolinità, mutamento, merce. Crisi dell’identità maschile nell’Italia del boom. In Capuzzo, P. (Ed.), Genere, Generazione e consumi: l’Italia degli anni Sessanta. Carocci, Rome.

Bellassai, S. (2004). La mascolinità contemporanea. Rome: Carocci.

Bellassai, S. (2005). The masculine mystique: antimodernism and virility in fascist Italy. Journal of Modern Italian Studies, 10(3): 314-335.

Bellassai, S. (2005). The masculine mystique: antimodernism and virility in fascist Italy. Journal of modern Italian studies, 10(3), 314–335.

Bellassai, S., & Malatesta, M. (Eds.) (2000). Genere e mascolinità: uno sguardo storico. Rome: Bulzoni. [proceedings] Benadusi, L. (2005). Il nemico dell’uomo nuovo: l’omosessualitànell’esperimento totalitario fascista. Milano: Feltrinelli. Contents: Introduzione / 1. La formazione dell’italiano virile / 2. La scoperta dell’omosessualità / 3. La sodomia tra peccato e reato / 4. La repressione della pederastia / 5. Pazzi e criminali / 6. L’uso politico dell’omosessualità / 7. Rispettabilità borghese e morale fascista.

Ben–Ghiat, R. (2005). Unmaking the fascist man: masculinity, film and the transition from dictatorship. Journal of modern Italian studies, 10(3), 336–365.

Bertellini, G. (2005). Duce/Divo: masculinity, racial identity, and politics among Italian Americans in 1920s New York City. Journal of urban history, 31(5), 685–726.

Bonini, Gherardo (1999). Rugby: the game for ‘real Italian men’. In Chandler, T. J. L., & Nauright, J. (Eds.). Making the rugby world: race, gender, commerce. Sport in the global society. London: F. Cass.

Brown, J. C., & Davis, R. C. (Eds.) (1998). Gender and society in Renaissance Italy. Women and men in history. London: Longman. Includes: The geography of gender in the Renaissance / Robert C. Davis. —Gender and the Rites of Honour in Italian Renaissance cities / Sharon T. Stroccia.

Dall’asta, Monica (1992). Un cinéma musclé: Le surhomme dans le cinéma muet italien (1913–1926), trans. Franco Arnò & Charles Tatum, Jr. Paris: Éditions Yellow Now.

Dell’Agnese, E., & Ruspini, E. (Eds.) (2007). Mascolinitàall’italiana: costruzioni, narrazioni, mutamenti.Torino: UTET. Includes: Dell’Agnese E. & Ruspini E.: Introduzione / Schizzerotto, A.: La casa: ultimo lembo dell’impero maschile italiano? / Ruspini, E.: Educare alle nuove mascolinità (gestire la parabola della virilità).

DiBella, Maria Pia (1989). Arbeit und Männlichkeit: die Konstruktion der Reputation bei Bauern Süditaliens. In Giordano, C., & Hettlage, R. (Eds.). Bauerngesellschaften im Industriezeitalter: zur Rekonstruktion ländlicher Lebensformen. Berlin: D. Reimer, pp. 111–123.

Ellis, A. (2003). The Senex Cupiens: old age and masculinity in Italian and English Renaissance comedy. Thesis (Ph.D.)—LoyolaUniversity of Chicago.

Finucci, V. (2003). The manly masquerade: masculinity, paternity, and castration in the Italian Renaissance. Durham [N.C.]: Duke University Press.

Fisher, Jaimey (2007). On the ruins of masculinity: the figure of the child in Italian neorealism and the German rubble–film. In Ruberto, L. E., & Wilson, K. M. (Eds.). Italian neorealism and global cinema. Detroit: WayneState University Press.

Gallo, E. (2006). Italy is not a good place for men: narratives of places, marriage and masculinity among Malayali migrants. Global networks, 6(4), 357–372.

Gallucci, M. A. (2003). Benvenuto Cellini: sexuality, masculinity, and artistic identity in Renaissance Italy. New York: Palgrave Macmillan.

Gardaphe, F. L. (2006). From wiseguys to wise men: the gangster and Italian American masculinities. New York: Routledge. Contents: Introduction — Part One — Romancing the Gangster — 1. Origins of an Archetype — 2. The Gangster as Culture Hero: Mario Puzo and Francis Coppola — Part Two — Realizing the Gangster —3. The Truth about Gangsters: Gay Talese and Ben Morreale — 4. Rough Boys: The Gangsters of Martin Scorsese and Michael Cimino Part Three Reinventing the Gangster — 5 .The Gangster as Cultural Critic: Giose Rimanelli and Frank Lentricchia — 6. Female Masculinity and the Gangster: Louisa Ermelino — 7. The Gangster as Public Intellectual: Anthony Valerio and Don DeLillo — 8. Two Versions of the Gangster as Contemporary Trickster: David Chase and Tony Ardizzone — 9. Looking for a Few New Men: Chazz Palmenteri and Richard Vetere — 10. From Macho to Zero: Redesigning Italian American Masculinities — Conclusion.

Gentile, Emilio (2004). L’’homme nouveau’ du fascisme: réflexions sur une expérience de révolution anthropologique. In Marie–Anne Matard–Bonucci, & Pierre Milza (Eds.). L’homme nouveau dans l’Europe fasciste (1922–1945): entre dictature et totalitarisme. Paris: Fayard.

Giannetti Ruggiero, L. (2005). When male characters pass as women: theatrical play and social practice in the Italian renaissance. Sixteenth Century Journal,36, 743–760.

Girelli, E. (2005). Transnational Maleness: The Italian Immigrant in Hell Drivers. Cinema Journal. 44(4), 44–56.

Gori, G. (1999). Model of masculinity: Mussolini, the ‘new Italian’ of the fascist era. International journal of the history of sport, 16(4), 27–61. Reprinted? in J. A. Mangan (Ed.), Superman Supreme: Fascist Body as Political Icon– Global Fascism. London: Frank Cass, 2000, pp. 27–61.

Hughes, S. C. (2007). Politics of the sword: dueling, honor, and masculinity in modern Italy. Columbus: OhioStateUniversity Press. [Contents: From primacy to paucity —Risorgimento del duello, duello del risorgimento —Honor and the nation —A plague of duels (1860–1914): dueling and elites —Institutions of honor and the search for legal sanction —The great dueling debate —The duel and fascism]

Hughes, Steven (1998). Men of Steel: Dueling, Honor, and Politics in Liberal Italy. In Spierenburg, P. C. (Ed.), Men and violence: gender, honor, and rituals in modern Europe and America. [Columbus]: OhioStateUniversity Press.

Huysseune, M. (2000). Masculinity and secessionism in Italy: an assessment. Nations and nationalism, 6(4), 591–610.

Krause, E. L. (2005). Encounters with the ‘Peasant’: Memory Work, Masculinity, and Low Fertility in Italy. American Ethnologist, 32(4), 593–617.

Kühberger, Christoph, & Roman Reisinger (Eds.) (2006). Mascolinità italiane: italienische Männlichkeiten im 20. Jahrhundert. Berlin: Logos Verlag. Contents: contributions from Claudia Berger, Suzanne Stewart–Steinberg, Elisabeth Tiller, Giulietta Stefani, Massimo Perinelli, and Maria Lauber. Themes: Italian Men’s Studies – Eine Einführung – Phallus und Platon – Representative Politics – Marinettis afrikanische Männerfiktion – Faschis- tische Männlichkeit – Koloniale Männlichkeit – Männlichkeit im dopoguerra im neorealistischen Filme –Männlichkeit und Medien – Männlichkeit(en) und Schimpfwörter.

Leed, E. J., & Lupi, C. (1993). Violenza, morte e mascolinita [Violence, death, and masculinity]. Ventesimo Secolo, 3, 243–272.

Lemay, H. R. (1983). Masculinity and femininity in early Renaissance treatises on human reproduction. Clio Medica [Amsterdam, Netherlands], 18(1–4), 21–31.

Levy, A. M. (2006). Re–membering masculinity in early modern Florence: widowed bodies, mourning, and portraiture. Women and gender in the early modern world. Aldershot, Hampshire, England: Ashgate.

Malossi, G. (Ed.) (2000). Uomo oggetto: mitologie, spettacolo e mode della maschilità.Bergamo: Bolis.

Milligan, G. P. (2003). Performing masculinity: male gender in conduct manuals and theatre of the Italian renaissance. Thesis (Ph. D.)—University of Wisconsin—Madison.

Morgan, S. (2006). Mussolini’s Boys (And Girls): Gender and Sport in Fascist Italy. History Australia,3.

Muir, Edward (1994). The Double Binds of Manly Revenge in Renaissance Italy. In Trexler, R. C. (Ed.). Gender rhetorics: postures of dominance and submission in history. Binghamton, N.Y.: Medieval & Renaissance Texts & Studies, pp. 65–82.

Parca, Gabriella (1967). Die Paschas: eine Studie über den italienischen Mann. Vienna: Econ-Verl.

Piccone Stella, Simonetta. (1994). ‘Rebels without a Cause’: Male Youth in Italy around 1960. History Workshop Journal, 38, 157–178.

Polezzi, Loredana (2007). White, male and Italian?: performing masculinity in Italian travel writing about Africa. In Polezzi, L., & Ross, C. (Eds.). In corpore: bodies in post–unification Italy. Madison, NJ: FairleighDickinson University Press.

Reich, J. (2004). Beyond the Latin lover: Marcello Mastroianni, masculinity, and Italian cinema.Bloomington: Indiana University Press. Contents: 1. In the beginning: Mastroianni, masculinity, and Italian cinema —2. Undressing the Latin lover: La dolce vita, fashion, and Italian masculinity —3. Masculinity, Sicilian style: Il bell’Antonio and divorce, Italian style — 4. “Remember, it’s a comedy”: Mastroianni in the films of Federico Fellini —5. The inetto versus the unruly woman: Mastroianni and Sophia Loren —6. Remembrance of films past: Mastroianni and the aging male body.

Rizzo, D. (2005). Liberal decorum and men in conflict: Rome, 1871–90. Journal of modern Italian studies, 10(3), 281–296.

Schmidt, A. (1994). “Wo die Männer sind, gibt es Streit”: Ehre und Ehrgefühl im ländlichen Sardinien. In Ludgera Vogt & Arnold Zingerle (Eds.), Ehre. Archaische Momente in der Moderne. Frankfurt am Main: Suhrkamp, pp. 193-211.

Seymour, M. (2005). Keystone of the patriarchal family? Indissoluble marriage, masculinity and divorce in liberal Italy. Journal of modern Italian studies, 10(3), 297–313.

Simons, Patricia (1994). Alert and erect: masculinity in some Italian Renaissance portraits of fathers and sons. In Richard C. Trexler (Ed.). Gender Rhetorics: Postures of Dominance and Submission in History. Medieval & Renaissance Texts & Studies, 113. Binghamton, N.Y.: StateUniversity of New York at Binghamton, pp. 163–186.

Skinner, P. (2000). ‘Halt! Be men!’: Sikelgaita of Salerno, gender and the Norman conquest of Southern Italy. Gender and history, 12(3), 622–641.

Spackman, Barbara (1996). Fascist Virilities: Rhetoric, Ideology, and Social Fantasy in Italy. Minneapolis: University of Minnesota Press.

Stuard, Susan Mosher (1994). Burdens of Matrimony: Husbanding and Gender in Medieval Italy. In Clare S. Lees (Ed.). Medieval Masculinities: Regarding Men in the Middle Ages. Minneapolis: University of Minnesota Press, pp. 61–71.

Suzzi Valli, Roberta (2000). The Myth of Squadrismo in the Fascist Regime. trans. Anne Heaton–Ward, Journal of Contemporary History, 35(2), 131–150.

Tacium, David (1998). Le Dandysme et la crise de l’identité masculine à la fin du XIXe siècle: Huysmans, Pater, Dossi. PhD Dissertation, Université de Montréal.

Wanrooij, Bruno P. F. (2005). Italian masculinities. Journal of modern Italian studies, 10(3), 277–280.

Wojtynek–Musik, K. (2002). Alcuni archetipi e miti maschili nella narrativa italiana del Novecento. Historia literatur obcych. Katowice: PARA.

Young, H. B., & Ferguson, L. R. (1981). Puberty to manhood in Italy and America. New York: Academic Press.