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‘A Man Who Smokes Should Never Marry A Village Girl’: Comments on Courtship and Marriage Bollywood-Style.
Short Skirts, Long Veils and Dancing Men: Responses to Dress and the Body.
More or Less Spicy Kisses: Responses to Sex, Love and Sexuality.
Politics and Spectatorship 1: Viewing Love, Religion and Ethnic Violence.
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Conclusion: The Tricky Politics of Viewing Pleasure.
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Introduction: Cinemas of Boyhood Part II / Timothy Shary
The Rumble of Nostalgia: Francis Ford Coppola’s Vision of Boyhood / Molly Lewis
Thatcher’s Sons? 1980s Boyhood in British Cinema, 2005-2010 / Andy Pope
When Jackie Coogan Had His Hair Cut: Masculinity, Maturity, and the Movies in the 1920s / Peter W. Lee
“I Am Trying” to Perform Like an Ideal Boy: The Construction of Boyhood through Corporal Punishment and Educational Discipline in Taare Zameen Par / Natasha Anand
Back in Time Yet of His Time: Marty McFly as a 1980s Teenage Boy Role Model / Daniel Smith-Rowsey
Non-Transitional Adolescences in The City and the Pillar and Other Voices, Other Rooms / Chung-Hao Ku.
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1. American Inheritance: Chinese American Male Identities.
2. Sax Rohmer’s Dr. Fu Manchu: Scrutinizing the Inscrutable.
3. Charlie Chan: A Model Minority Man.
4. Bruce Lee: A Sexualized Object of Desire.
5. Shang-Chi: Master of Kung Fu.
6. From Boyhood to Manhood.
7. Toward a Masculinity of Inclusion.
Epilogue: Contemporary Asian American Men’s Issues.
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6. Using Malcolm: Heroism, Collective Memory, and the Crisis of Black Males.
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Introduction: Popular Representations of Active Masculinity Since the Late 1960s.
Armchair Thrills and the New Adventurer.
“I Married Rambo”: Spectacle and Melodrama in The Hollywood Action Film Omega Men: Late 1960s and Early 1970s Action Hero Prototypes.
Airport Fiction: The Men of Mass-Market Literature.
Restaging Heroic Masculinity: Jackie Chan and the Hong Kong Action Film.
Conclusion: The Future of Active Masculinity.
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Brokeback Mountain and the Geography of Desire / Alex J Tuss.
Understanding the Complexity of Love in Brokeback Mountain: An Analysis of the Film and Short Story / Jane Rose, Joanne Urschel.
They’re Bi Shepherds, Not Gay Cowboys: The Misframing of Brokeback Mountain.
Downlow Mountain? De/Stigmatizing Bisexuality through Pitying and Pejorative Discourses in Media / Richard N Pitt Jr.
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PART II: REPRESENTING MASCULINITY
To Be A Man: Changing Constructions of Manhood in Drum Magazine, 1951-1965; L.Clowes
Of Masks, Mimicry, Misogyny, and Miscegenation: Forging Black South African Masculinity in Bloke Modisane’s Blame Me On History; M.Goldsmith
The Troubled Masculinities of Tsitsi Dangarembga’s Nervous Conditions; K.Holland
(Dis)Enabling Masculinities: The Word and the Body, Class Politics and Male Sexuality in El Saadawi’s God Dies by the Nile; S.Hayward
The Masculine Subject of Colonialism: The Egyptian Loss of the Sudan; W.C.Jacob.
Lamm, Kimberly. (2003). Visuality and black masculinity in Ralph Ellison’s Invisible Man and Romare Bearden’s photomontages. Callaloo. Baltimore: Summer, Vol. 26, Iss. 3.
Lang, Robert. (2002). Masculine Interests. Homoerotics in Hollywood Film. New York: Columbia University Press.
Leddick, David. (2000). Naked Men, Too. Universe Books. (Nudes)
Lehman, P. (1998). In an Imperfect World, Men with Small Penises are Unforgiven: The Representation of the Penis/Phallus in American Films of the 1990s. Men and Masculinities, 1(2): 123-137.
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Lehman, Peter. (1993). Don’t Blame This on a Girl: Female Rape-Revenge Films. In Cohan, S. and Hark, I.R. (eds.). Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge.
Lehman, Peter. (1998). In an Imperfect World, Men With Small Penises are Unforgiven: The Representation of the Penis/Phallus in American Films of the 1990s. Men and Masculinities, 1(2), October
Lehman, Peter. (ed.). (2000). Masculinity: Bodies, Movies, Culture. New York: Routledge.
‘Someone is going to pay’: Resurgent white masculinity in Ransom / Krin Gabbard.
Crying over the melodramatic penis: Melodrama and male nudity in films of the 90s / Peter Lehman.
The saviors and the saved: Masculine redemption in contemporary films / Amy Aronson and Michael Kimmel.
Identity, queerness, and homosocial bonding: The case of Swingers / Justin Wyatt.
Rape fantasies: Hollywood and homophobia / Joe Wlodarz.
‘Choosing to be. not a man’: Masculine anxiety in Nouri Bouzid’s Rih essed/Man of ashes / Robert Lang and Maher Ben Moussa.
T(he)-men’s room: Masculinity and space in Anthony Mann’s T-men / Susan White.
The talented Poststructuralist: Heteromasculinity, gay artifice, and class passing / Chris Straayer.
‘Emotional constipation’ and the Power of dammed masculinity: Deliverance and the paradoxes of male liberation / Sally Robinson.
‘As a mother cuddles a child’: Sexuality and masculinity in World War II combat films / Robert Eberwein.
The nation and the nude: Colonial masculinity and the spectacle of the male body in recent Canadian cinema(s) / Lee Parpart.
Lynching photography and the ‘black beast rapist’ in the southern white masculine imagination / Amy Louise Wood.
Screening the Italian-American male / Aaron Baker and Juliann Vitullo.
‘Studs have feelings too’: Warren Beatty and the question of star discourse and gender / Lucia Bozzola.
James Bond’s penis / Toby Miller.
Oliver Stone’s Nixon and the unmanning of the self-made man / Dennis Bingham.
Suck, spit, chew, swallow: A performative exploration of men’s bodies / Tim Miller.
Leighninger, Robert D. (1997). The Western as Male Soap Opera: John Ford’s Rio Grande. Journal of Men’s Studies, 6(2), Winter, pp. 135-148.
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Linneman, T.J. (2008). How do you solve a problem like Will Truman? The feminization of gay masculinities on Will & Grace. Men Masc., 10: 583–603.
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