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Introduction / Keith Clark.
1. Rescuing the Black Homosexual Lambs: Randall Kenan and the Reconstruction of Southern Gay Masculinity / Sheila Smith McKoy.
2. The Disease Called Strength: The Masculine Manifestation in Raymond Andrew’s Appalachee Red / Trudier Harris.
3. Looking Homewood: The Evolution of John Edgar Wideman’s Folk Imagination / Raymond E. Janifer.
4. Commodity Culture and the Conflation of Time in Ishmael Reed’s Flight to Canada / A. T. Spaulding.
5. Clarence Major’s All-Night Visitors: Calibanic Discourse and Black Male Expression / James W. Coleman.
6. ‘I Was My Father’s Father, and He My Child’: The Process of Black Fatherhood and Literary Evolution in Charles Johnson’s Fiction / William R. Nash.
7. Prodigal Agency: Allegory and Voice in Ernest J. Gaines’s A Lesson before Dying / Herman Beavers.
8. Without a Cosmology: The Psychospiritual Condition of African-American Men in Brent Wade’s Company Man and Melvin Dixon’s Trouble the Water / Melvin B. Rahming.
9. Are Love and Literature Political? Black Homopoetics in the 1990s / Kenyatta Dorey Graves.
10. Healing the Scars of Masculinity: Reflections on Baseball, Gunshots, and War Wounds in August Wilson’s Fences / Keith Clark.
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Clifford, Stephen P. (1999). Beyond the Heroic ‘I’: Reading Lawrence, Hemingway, and Masculinity. Bucknell University Press.
Coleman, James W. (2001). Black Male Fiction and the Legacy of Caliban. Lexington, Ky.: University Press of Kentucky.
Contents;
Introduction: Defining Calibanic Discourse in the Black Male Novel and Black Male Culture.
1. The Conscious and Unconscious Dimensions of Calibanic Discourse Thematized in Philadelphia Fire.
2. The Thematized Black Voice in John Edgar Wideman’s The Cattle Killing and Reuben.
3. Clarence Major’s Quest to Define and Liberate the Self and the Black Male Writer.
4. Charles Johnson’s Response to. Caliban’s Dilemma.
5. Calibanic Discourse in Postmodern and Non-Postmodern Black Male Texts.
6. Ralph Ellison and the Literary Background of Contemporary Black Male Postmodern Writers.
Conclusion: The ‘Special Edge’ Tension Between the Conscious and Unconscious in the Contemporary Black Male Postmodern Novel.
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Configuring Masculinity / Stefan Horlacher
Concepts of Masculinity and Masculinity Studies / Todd W. Reeser
Masculinities: The Field of Knowledge / Raewyn Connell
On Reading Men, Law and Gender: Legal Regulation and the New Politics of Masculinity / Richard Collier
Masculinity in Thomas Malory’s Morte Darthur / Christoph Houswitschka
From Antisocial to Prosocial Manhood: Shakespeare’s Rescripting of Masculinity in As You Like It / Mark Bracher
Sentimental Masculinity: Henry Mackenzie’s The Man of Feeling (1771) / Rainer Emig
‘Joseph the Dreamer of Dreams’: Jude Fawley’s Construction of Masculinity in Thomas Hardy’s Jude the Obscure / Stefan Horlacher
From Angry Young Scholarship Boy to Male Role Model: The Rise of the Working-Class Hero / Sebastian MŸller
‘Filiarchy’ and Masculinity in the Early Novels of Ian McEwan / Fatemeh Hosseini
‘What Is a Man?’, or the Representation of Masculinity in Hanif Kureishi’s Short Fiction / Bettina Schštz
Of Invisible Men and Native Sons: Male Characters in Caryl Phillips’ Fiction / BŽnŽdicte Ledent
Surrogate Dads: Interrogating Fatherhood in Will Self’s The Book of Dave / Daniel Lukes
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Jerome, Roy. (ed). (2001). Conceptions of Postwar German Masculinity. State Univ of New York Press.
Contents:;
Pt. I. Introductory Considerations
Pt. II. Theoretical Considerations to the Problematic of Postwar German Masculine Identity
Pt. III. Reading Masculinity in Postwar German Literature
Introduction / Roy Jerome
Hard-Cold-Fast: Imagining Masculinity in the German Academy, Literature, and the Media / Klaus-Michael Bogdal
An Interview with Tilmann Moser on Trauma, Therapeutic Technique, and the Constitution of Masculinity in the Sons of the National Socialist Generation / Roy Jerome
Paralysis, Silence, and the Unknown SS-Father: A Therapeutic Case Study on the Return of the Third Reich in Psychotherapy / Tilmann Moser
The German-Jewish Hyphen: Conjunct, Disjunct, or Adjunct? / Harry Brod
Masculinity and Sexual Abuse in Postwar German Society / Klaus-Jurgen Bruder
The Motif of the Man, Who, Although He Loves, Goes to War: On the History of the Construction of Masculinity in the European Tradition / Carl Pietzcker
‘I have only you, Cassandra’: Antifeminism and the Reconstruction of Patriarchy in the Early Postwar Works of Hans Erich Nossack / Inge Stephan
Brutal Heroes, Human Marionettes, and Men with Bitter Knowledge: On the New Formulation of Masculinity in the Literature of the ‘Young Generation’ after 1945 (W. Borchert, H. Boll, and A. Andersch) / Hans-Gerd Winter
Vaterliteratur, Masculinity, and History: The Melancholic Texts of the 1980s / Barbara Kosta
Homosexual Images of Masculinity in German-Language Literature after 1945 / Wolfgang Popp
Neo-Nazi or Neo-Man? The Possibilities for the Transformation of Masculine Identity in Kafka and Hasselbach / Russell West
Multiple Masculinities in Turkish-German Men’s Writing / Moray McGowan
Afterword / Michael Kimmel
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Karpinski, E. C. (2008). En-trenched Manhood: War and Constructions of Masculinity in George Orwell’s Homage to Catalonia. Men and Masculinities, 10(5): 523-537.
Kauffman, Linda. (1989). Gender and Theory: Dialogues on Feminist Criticism. London/New York: Basil Blackwell.
(for example) Moi, Toril. Men Against Patriarchy
Boone, Joseph. Of me(n) and Feminism: Who(se) is the Sex that Writes?
Kelley, Venita. (2003). Negotiating Black Masculinity While Reading Comic Books. Review of Communication, Volume 3, Number 3, July, pp. 192 – 199,
Kendrick, Robert. (1994). Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea. Papers on Language & Literature, Summer, Vol. 30 No. 3.
Kiberd, Declan. (1985). Men and Feminism in Modern Literature. London: Macmillan.
Kim, J. (2007). “Good cursed, bouncing losses”: Masculinity, Sentimental Irony, and Exuberance in Tristram Shandy. The Eighteenth Century, 48(1).
Knights, Ben. (1999). Writing Masculinities: Male Narratives in Twentieth-Century Fiction.
Lane, Christopher. (1999). The Burdens of Intimacy: Psychoanalysis and Victorian Masculinity. University of Chicago Press.
Langer, Beryl. (1996). Hard-Boiled and Soft-Boiled: Masculinity and Nation in Canadian and American Crime Fiction. Meridian, Special Issue: Masculinities, 15(2), October.
Lea, D., and B. Schoene. (2002). Introduction to the Special Section on Literary Masculinities. Men and Masculinities, 4(4): 319-321.
Lea, Daniel, and Berthold Schoene. (eds.). (2002). Men and Masculinities, Special section: Literary Masculinities, 4(4), April.
Includes;
Ventriloquizing the Male: Two Portraits of the Artist as a Young Man by May Sinclair and Edith Wharton / Diana Wallace.
Love and Hate in D.H. Lawrence / Hugh Stevens.
‘I’m Stronger Than You’: Quentin Compson’s Suicide in William Faulkner’s The Sound and the Fury / Anna Foca.
‘An Anthropometric Insolence of Short Duration’: Oedipus, Masculinity, and the Death of ‘Man’ in the Work of Samuel Beckett / Brad Buchanan.
Marxism, Not Manhood: Accommodation and Impasse in Seamus Heaney’s Beowulf and Chuck Palahniuk’s Fight Club / Matt Jordan
Lee, Terry. (1997). ‘Instigating Women’ and Initiation in Postmodern Male Identity: Women Mentoring Men in Michael Dorris’s Short Fiction. Journal of Men’s Studies, 6(2), Winter, pp. 209-225.
Lendrum, R. (2005). The super Black Macho, one baaad mutha: Black superhermasculinity in 1970s mainstream comic books. Extrapolation, 46(3): 360-372.
Lendrum, Rob. (2005). The Super Black Macho, One Baaad Mutha: Black Superhero Masculinity in 1970s Mainstream Comic Books. Extrapolation, Fall, Vol. 46, Iss. 3.
Leverenz, David. (1986). Manhood, Humiliation and Public Life: Some Stories. Southwest Review, 71, Fall.
Leverenz, David. (1991). The Last Real Man in America: From Natty Bumppo to Batman. American Literary Review, 3.
Leverenz, David. (2009). Men in Fiction. In Debating Masculinity, eds. Josep M. Armengol and Angels Carabi. Harriman, Tennessee: Men’s Studies Press.
Lewis, Linden. (1998). Masculinity and the Dance of the Dragon: Reading Lovelace Discursively. (Caribbean Masculinity) Feminist Review, No. 59, Summer.
Lewis, P. (2005). Attaining Masculinity: Charles Brockden Brown and Woman Warriors of the 1790s. Early American Literature, 40(1).
Llewellyn, M. (2007). “Pagan Moore”: Poetry, Painting, and Passive Masculinity in George Moore’s Flowers of Passion (1877) and Pagan Poems (1881). Victorian Poetry, 45(1): 77.
Long, Kim. (1992). Ahab’s Narcissistic Quest: The Failure of the Masculine American Dream in Moby-Dick. Conference of College Teachers of English Studies, Vol. 57, September.
Louie, K. (2000). Constructing Chinese Masculinity for the Modern World: With Particular Reference to Lao She’s The Two Mas. The China Quarterly. (164):1062-1078, Dec.
Low, J. (1999). Manhood and the Duel: Enacting Masculinity in ‘Hamlet’ (William Shakespeare). Centennial Review. 43(3):501-512, Fal.
Machann, Clinton. (1995). Violence and the Construction of Masculinity in Walter Besant’s The Inner House. Journal of Men’s Studies, 4(2), November, pp. 131-140.
Machann, Clinton. (1998). Gender Politics and the Study of Nineteenth-Century Autobiography. Journal of Men’s Studies, 6(3), Spring.
Machann, Clinton. (1999). The Construction of Masculinity in Victorian Autobiography. Nineteenth Century Prose. 26(2):9-23, Fal.
Machann, Clinton. (2005). The Male Villain as Domestic Tyrant in Daniel Deronda: Victorian Masculinities and the Cultural Context of George Eliot’s Novel. Journal of Men’s Studies, Spring, Vol. 13, Iss. 3.
Mackinnon, Jeremy. (1999). Don’t Mention the Ward: The Phantom of Shell Shock in Pat Barker’s The Ghost Road. In Playing The Man: New Approaches to Masculinity. Eds. Katherine Biber, Tom Sear, and Dave Trudinger. Sydney: Pluto Press.
Maertesn, James W. (1995). Between Jules Verne and Walt Disney: Brains, Brawn, and Masculine Desire in 20,000 Leagues Under the Sea. Science Fiction Studies, July, Vol. 22.
Marquis, Margaret Emily. (2005). The Producing Male Body in Willa Cather’s “Neighbour Rosicky”. Journal of Men’s Studies, Winter, Vol. 13, Iss. 2.
Martín, Sara. (2002). The Spirit of World War I: Patricia Anthony’s Flanders. War, Literature and the Arts: An International Journal of the Humanities 14.1-2, 293-311, http://wlajournal.com/14_1-2/293-311martin.pdf
Martín, Sara. (2009). Apocalypse Soon? The Uncertain Utopia of Steven Spielberg’s Adaptation of H.G. Wells’s The War of the Worlds. In Elizabeth Russell (ed.), Trans/Forming Utopia: Vol I, Looking Forward to the End. Bern: Peter Lang, 2009.165-174.
Martín, Sara. (2011). Aging in F(r)iendship: ‘Big Ger’ Cafferty and John Rebus. Clues: A Journal of Detection 29.2, 73-82.
Martín, Sara. (2011). The Silent Villain: The Minimalist Construction of Patriarchal Villainy in John Le Carré’s Karla Trilogy. In Anna Fahraeus & Dikmen Yakali Çamoglu (eds.), Villains and Villainy: Embodiments of Evil in Literature, Popular Media and Culture. Amsterdam and New York: Rodopi, 2011. 29-46.
Martín, Sara. (2013). Leonidas’s New Body: The Failed Hyper-Masculinization of the Hero in Frank Miller and Lynn Varley’s Graphic Novel 300 (1998) and its 2006 Film Adaptation. In Josep Maria Armengol (ed.), Embodying Masculinities: Towards a History of the Male Body in U.S. Culture and Literature. New York. Peter Lang, 2013. 125-144.
Martín, Sara. (2014). Facing Xenocidal Guilt: Atypical Masculinity in Orson Scott Card’s Ender’s Saga. In Àngels Carabí & Josep Maria Armengol (eds.), Alternative Masculinities for a Changing World. New York: Palgrave MacMillan, 2014. 145-157.
Martín, Sara. (2016). The Loving Soldier: Vindicating Men’s Friendship in Ernest Raymond’s Tell England: A Study in a Generation (1922) and Wilfrid Ewart’s The Way of Revelation (1921). In David Owen and Cristina Pividori (eds.), Writings of Persuasion and Dissonance in the Great War: That Better Whiles May Follow Worse. Leiden and Boston: Brill Rodopi, 2016. 205-219.
Martín, Sara. (2017). Fighting the Monsters Inside: Masculinity, Agency and the Aging Gay Man in Christopher Bram’s Father of Frankenstein. In Josep Maria Armengol et al., (eds.) Masculinities and Literary Studies: Intersections and New Directions. New York and Milton Park, Abingdon, Oxon, 2017: 98-106.
Martín, Sara. (2019). Masculinity and Patriarchal Villainy in British Fiction: From Hitler to Voldemort. London and New York: Routledge.
CONTENTS
Introduction. Defining the Patriarchal Villain
1. Adolf Hitler: The Threat of Absolute Villainy
2. Big Brother and O’Brien: The Mystique of Power and the Reproduction of Patriarchal Masculinity
3. Morgoth and Sauron: The Problem of Recurring Villainy
4. Steerpike: Gormenghast’s Angry Young Man
5. Ernst Stavro Blofeld, Larger Than Life: The Villain in the James Bond Series
6. Richard Onslow Roper and the ‘Labyrinth of Monstrosities’: John le Carré’s Post-Cold War Villains
7. Michael Dobbs’s Francis Urquhart Trilogy: Democracy at Risk
8. Big Ger Cafferty, Crime Boss: The Constant Struggle to Retain Power
9. Voldemort and the Limits of Dark Magic: Self-empowerment as Self-destruction
Conclusions
Martín, Sara. (2020). Representations of Masculinity in Literature and Film: Focus on Men. Newcastle upon Tyne: Cambridge Scholars Publishing.
CONTENTS
Introduction: Why We Should Focus on Men
One. Queerying Antonio: Michael Radford’s The Merchant of Venice and the Problem of Heterosexism
Two. Heathcliff’s Blurred Mirror Image: Hareton Earnshaw and the Reproduction of Patriarchal Masculinity in Wuthering Heights
Three. In Bed with Dickens: Ralph Fiennes’s The Invisible Woman and the Problematic Masculinity of the Genius
Four. Recycling Charlie, Amending Charles: Dodger, Terry Pratchett’s Rewriting of Oliver Twist
Five. Between Brownlow and Magwitch: Sirius Black and the Ruthless Elimination of the Male Protector in the Harry Potter Series
Six. Odysseus’s Unease: The Post-war Crisis of Masculinity in Melvyn Bragg’s The Soldier’s Return and A Son of War
Seven. A Demolition Job: Scottish Masculinity and the Failure of the Utopian Tower Block in David Greig’s Play The Architect and Andrew O’Hagan’s Novel Our Fathers
Eight. Rewriting the American Astronaut from a Cross-cultural Perspective: Michael Lopez-Alegria in Manuel Huerga’s Documentary Film Son & Moon
Nine. Discovering the Body of the Android: (Homo)Eroticism and (Robo)Sexuality in Isaac Asimov’s Robot Novels
Ten. Educating Dídac, Humankind’s New Father: The End of Patriarchy in Manuel de Pedrolo’s Typescript of the Second Origin
Eleven. Obi-Wan Kenobi and the Problem of the Flawed Mentor: Why Anakin Skywalker Fails as a Man
Twelve. The Anti-Patriarchal Male Monster as Limited (Anti)Hero: Richard K. Morgan’s Black Man/Th3rteen
Martín, Sara. (June 2017). Educating Dídac: Mankind’s New Father and the End of Patriarchy in Manuel de Pedrolo’s Typescript of the Second Origin. Alambique 4.2, 1-18. http://scholarcommons.usf.edu/alambique/vol4/iss2/6/
Martín, Sara. (March 2017). The Anti-patriarchal Male Monster as Limited (Anti)Hero in Richard Morgan's Black Man. Science Fiction Studies, 44.1, #131, 84-103.
Martín, Sara. (Spring 2002). Masculinity and Justice: Generational Changes in John Grisham's The Chamber. Journal of Criminal Justice and Popular Culture 9.2, n.p. http://www.albany.edu/scj/jcjpc/vol9is2/martin.html.
Matz, J. (2007). Masculinity Amalgamated: Colonialism, Homosexuality, and Forster’s Kipling. Journal of Modern Literature, 30(3): 31.
Maxwell, Richard D. (1992). The Abdication of Masculinity in One Flew Over the Cuckoo’s Nest. In Searles, George. (ed.). A Casebook on Ken Kesey’s One Flew Over the Cuckoo’s Nest, Albuquerque: University of New Mexico Press.
McClintock, James I. (1998). Dalva: Jim Harrison’s. Twin Sister. Journal of Men’s Studies, 6(3), Spring.
McCracken, S. (2001). From performance to public sphere: The production of modernist masculinities. Textual Practice, Volume 15, Number 1, March 2001, pp. 47-65.
McDaniel, Patricia. (2001). Shrinking Violets and Caspar Milquetoasts: Shyness and heterosexuality from the roles of the fifties to The Rules of the nineties. Journal of Social History, Spring, 34(3).
McDonough, Carla J. (1992). Every Fear Hides a Wish: Unstable Masculinity in Mamet’s Drama. Theatre Journal, 44(2), May.
McKinley, Maggie. (2015). Masculinity and the Paradox of Violence in American Fiction, 1950-75. Bloomsbury.
Medina, R. (2004). Masculinity, empire and modernity in ‘Cartas de Relacion’ by Hernan Cortez. Hispanic Review, 72(4): 469-489.
Meloy, Michael. (2009). Fixing men: castration, impotence, and masculinity in Ken Kesey’s One Flew Over the Cuckoo’s Nest. The Journal of Men’s Studies, 17(1).
Mikkelsen, Ann. (2003). “Fat! Fat! Fat! Fat!”-Wallace Stevens’s Figurations of Masculinity. Journal of Modern Literature, Bloomington: Fall, Vol. 27, Iss. 1/2.
Millington, Mark I. (1992). Masculinity and the Fight for Onetti’s ‘Jacob y el otro’. Bulletin of Hispanic Studies, 69(4), October.
Mitchell, Lee Clark. (1998). Westerns: Making the Man in Fiction and Film. University of Chicago Press.
Morales, M. F. (2007). At War With John Wayne: Masculinity, Violence, and the Vietnam War in Emily Mann’s Still Life. American Drama, 16(1): 30.
Moreno, Michael P. (2003). Consuming the Frontier Illusion: The Construction of Suburban Masculinity in Richard Yates’s Revolutionary Road. Iowa Journal of Cultural Studies, Iowa City: Fall.
Morgan, W.M. (2007). Wounded Hearts: Masculinity, Law, and Literature in American Culture. Modern Fiction Studies, 53(3): 610.
Murphy, Peter. (ed). (1994). The Fiction of Masculinity: Literary Constructions of Man. New York University Press.
Murrie, Linzi. (1998). Changing Masculinities: Disruption and Anxiety in Contemporary Australian Writing. Journal of Australian Studies, No. 56
Murrie, Linzi. (1998). The Australian Legend: Writing Australian Masculinity/Writing ‘Australian Masculine’. Journal of Australian Studies, No. 56
Myers, Garth Andrew. (2002). Colonial Geography and Masculinity in Eric Dutton’s Kenya Mountain. Gender, Place & Culture, Volume 9 Number 1, March.
Neumann, Birgit (2012). Gender Politics and the Politics of Terrorism in Neil Jordan’s The Crying Game. Journal for the Study of British Cultures, 19, 2/2012.
Newell, Stephanie. (1997). Petrified Masculinities? Contemporary Nigerian Popular Literatures by Men. Journal of Popular Culture, Volume 30, Issue 4, pp. 161-182, March.
Newkirk, Thomas. (2003). Misreading Masculinity: Boys, Literacy, and Popular Culture.
Contents;
Prologue: The Believing Game
1. The “Crisis” in Boyhood
2. Making Sense of the Gender Gap
3. The Case Against Literacy
4. Taste and Distaste
5. Violence and Innocence
6. Misreading Violence
7. Making Way for Captain Underpants
8. A Big Enough Room
Noble, Jean Bobby (2004). Masculinities without Men? Female Masculinity in Twentieth-Century Fictions. Vancouver and Toronto, Canada: University of British Columbia Press.
Norocel, Ov Cristian (2010). Reading ‘Princepele’ through the Eyes of the Doomed – Queering Nationalism and Masculinity in a Communist Romanian Novel. SQS – Suomen Queer-tutkimuksen Seuran Lehti – Tidskrift för Queerforskning i Finland – Journal of Queer Studies in Finland 4(1-2): 1–11.
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Nyman, Jopi. (1997). Men Alone: Masculinity,Individualism, and Hard-Boiled Fiction. (Costerus New Series 111). Amsterdam & Atlanta, Georgia: Rodopi.
Nyman, Jopi. (1998). Hard-Boiled Fiction and Dark Romanticism. (Studien zur englischen und amerikanischen Literatur 19). Frankfurt am Mainand New York: Peter Lang.
Nyman, Jopi. (1998). The Body Overconsumed: Masculinity and Consumerism in Ernest Hemingway’s Across the River and into the Trees. American Studies in Scandinavia, 30: 34-46.
Nyman, Jopi. (1999). Getting One In: Masculinity and Hemingway’s Boxing Stories. Zeitschrift für Anglistik und Amerikanistik, 47: 54-63.
Oates-Indruchov, Libora. (2006). The Void of Acceptable Masculinity During Czech State Socialism: The Case of Radek John’s Memento. Men and Masculinities, April, Volume 8, No. 4: 428-450.
Odhiambo, T. (2007). Sexual Anxieties and Rampant Masculinities in Postcolonial Kenyan Literature. Social Identities, 13(5): 651 - 663.
Orr, Mary. (2000). Flaubert: Writing the Masculine. Oxford University Press.
Ouellette, M. (2005). Masculinities without men? Female masculinity in twentieth-century fictions. University of Toronto quarterly, 75(1): 357-358.
Packard, Chris. (2006). Queer Cowboys: And Other Erotic Male Friendships in Nineteenth-Century American Literature.
Padva, Gilad. (2000). Priscilla Fights Back: The Politicization of Camp Subculture. Journal of Communication Inquiry 24(2), 216-243.
Padva, Gilad. (2002a). Heavenly Monsters: Male Bodies, Fantasies and Identifications in the Naked Issue of Attitude Magazine. International Journal of Sexuality and Gender Studies 7(4), 281-292.
Padva, Gilad. (2005). Dreamboys, Meatmen and Werewolves: Visualizing Erotic Identities in All-Male Comic Strips. Sexualities 8(5), 587-599.
Padva, Gilad. (2006). Foucauldian Muscles: Celebrating the Male Body in Thom Fitzgerald’s Beefcake. Film Criticism, 30(2), 43-66.
Parker, Robert Dale. (1997). Who Shot the Sheriff: Storytelling, Indian Identity, and the Marketplace of Masculinity in D’Arcy McNickle’s The Surrounded. Modern Fiction Studies. Wint v 43 n 4.
Patai, Daphne. (1984). The Orwell Mystique: A Study in Male Ideology. Amherst: University of Massachussetts Press.
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Patterson, Mark. (1997). Racial Sacrifice and Citizenship: The Construction of Masculinity in Louisa May Alcott’s The Brothers. Studies in American Fiction. Fall v 25 n 2.
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Quaintance, Courtney. (2015).Textual Masculinity and the Exchange of Women in Renaissance Venice.
Quam-Wickham, N. (1999). Rereading Man’s Conquest of Nature: Skill, Myths, and the Historical Construction of Masculinity in Western Extractive Industries. Men and Masculinities, 2(2): 135-151.
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Reid-Pharr, Robert F. (1996). Tearing the Goat’s Flesh: Homosexuality, Abjection and the Production of a Late Twentieth Century Black Masculinity. Studies in the Novel, Special Issue: Queerer Than Fiction. 28, Fall, pp. 372-394.
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Shamir, Milette, and Jennifer Travis. (2002). Boys Don’t Cry?: Rethinking Narratives of Masculinity and Emotion in the U.S. Columbia University Press. Contents;
Introduction.
What Feels an American? Evident Selves and Alienable Emotions in the New Man’s World / Evan Carton.
Loving with a Vengeance: Wieland, Familicide and the Crisis of Masculinity in the Early Nation / Elizabeth Barnes.
“The Manliest Relations to Men”: Thoreau on Privacy, Intimacy, and Writing / Milette Shamir.
Manly Tears: Men’s Elegies for Children in Nineteenth-Century America / Eric Haralson.
How to be a (Sentimental) Race Man: Mourning and Passing in W.E.B. Du Bois’s The Souls of Black Folk / Ryan Schneider.
The Law of the Heart: Emotional Injury and its Fictions / Jennifer Travis.
“The Sort of Thing You Should Not Admit”: Hemingway’s Aesthetics of Emotional Restraint / Thomas Strychacz.
Road Work: Rereading Kerouac’s Midcentury Melodrama of Beset Sonhood / Stephen Davenport.
Men’s Tears and the Roles of Melodrama / Tom Lutz.
Men’s Liberation, Men’s Wounds: Emotion, Sexuality, and the Reconstruction of Masculinity in the 1970s / Sally Robinson.
The Politics of Feeling: Men, Masculinity, and Mourning on the Capital Mall / Judith Newton.
Shetty, Sandhya. (1994). Masculinity, National Identity, and the Feminine Voice in The Wine of Astonishment. Journal of Commonwealth Literature, Vol. 30 No. 1.
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Somerson, W. (2004). White Men on the Edge: Rewriting the Borderlands in Lone Star. Men and Masculinities, 6(3): 215-239.
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