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Hindi Films: Theoretical Debates and Textual Studies.
Audiences and Hindi Films: Contemporary Studies.
Hindi Film-Going and the Viewing Context in Two Countries.
‘A Man Who Smokes Should Never Marry A Village Girl’: Comments on Courtship and Marriage Bollywood-Style.
Short Skirts, Long Veils and Dancing Men: Responses to Dress and the Body.
More or Less Spicy Kisses: Responses to Sex, Love and Sexuality.
Politics and Spectatorship 1: Viewing Love, Religion and Ethnic Violence.
Politics and Spectatorship 2: Young Men Viewing Terrorism and State Violence.
Conclusion: The Tricky Politics of Viewing Pleasure.
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Special Section: Cinemas of Boyhood - Part II
Introduction: Cinemas of Boyhood Part II / Timothy Shary
The Rumble of Nostalgia: Francis Ford Coppola’s Vision of Boyhood / Molly Lewis
Thatcher’s Sons? 1980s Boyhood in British Cinema, 2005-2010 / Andy Pope
When Jackie Coogan Had His Hair Cut: Masculinity, Maturity, and the Movies in the 1920s / Peter W. Lee
“I Am Trying” to Perform Like an Ideal Boy: The Construction of Boyhood through Corporal Punishment and Educational Discipline in Taare Zameen Par / Natasha Anand
Back in Time Yet of His Time: Marty McFly as a 1980s Teenage Boy Role Model / Daniel Smith-Rowsey
Non-Transitional Adolescences in The City and the Pillar and Other Voices, Other Rooms / Chung-Hao Ku.
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1. American Inheritance: Chinese American Male Identities.
2. Sax Rohmer’s Dr. Fu Manchu: Scrutinizing the Inscrutable.
3. Charlie Chan: A Model Minority Man.
4. Bruce Lee: A Sexualized Object of Desire.
5. Shang-Chi: Master of Kung Fu.
6. From Boyhood to Manhood.
7. Toward a Masculinity of Inclusion.
Epilogue: Contemporary Asian American Men’s Issues.
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4. In Malcolm’s shadow: Masculinity and the ghetto in Black Film.
6. Using Malcolm: Heroism, Collective Memory, and the Crisis of Black Males.
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Eriksen, C. B., & Hvidtfeldt, K. (2021). Vital Masculinity: Assemblages of Debility and Capacity in the Danish Lifestyle TV Show Real Men. NORA - Nordic Journal of Feminist and Gender Research, 29(1), 50-62. doi:10.1080/08038740.2020.1807603
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Gallagher, Mark. (2006). Action Figures: Men, Action Films, and Contemporary Adventure Narratives.
Introduction: Popular Representations of Active Masculinity Since the Late 1960s.
Armchair Thrills and the New Adventurer.
“I Married Rambo”: Spectacle and Melodrama in The Hollywood Action Film Omega Men: Late 1960s and Early 1970s Action Hero Prototypes.
Airport Fiction: The Men of Mass-Market Literature.
Restaging Heroic Masculinity: Jackie Chan and the Hong Kong Action Film.
Conclusion: The Future of Active Masculinity.
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Journal of Men’s Studies. (2006). Spring, Vol. 14 Iss. 2.
Brokeback Mountain and the Geography of Desire / Alex J Tuss.
Understanding the Complexity of Love in Brokeback Mountain: An Analysis of the Film and Short Story / Jane Rose, Joanne Urschel.
They’re Bi Shepherds, Not Gay Cowboys: The Misframing of Brokeback Mountain.
Downlow Mountain? De/Stigmatizing Bisexuality through Pitying and Pejorative Discourses in Media / Richard N Pitt Jr.
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Includes Chapter 4. Star Gossip: Rock Hudson and the Burdens of Masculinity.
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Koven, Mikel J. (1997). My Brother, My Lover, My Self: Traditional Masculinity in the Hong Kong Action Cinema of John Woo. Canadian Folklore. v 19 n 1.
Krutnik, Frank. (1991). In a Lonely Street: Film Noir, Genre and Masculinity. Routledge
LaBoskey, Sara. (2001-2002). Getting off: Portrayals of masculinity in hip hop dance in film. Dance Research Journal, New York; Winter, Vol. 33, Iss. 2.
Lahoucine, O., and R. Morrell. (eds.). (2005). African Masculinities: Men in Africa from the Late Nineteenty Century to the Present. New York and South Africa: Palgrave Macmillan and KwaZulu-Natal Press.
PART II: REPRESENTING MASCULINITY
To Be A Man: Changing Constructions of Manhood in Drum Magazine, 1951-1965; L.Clowes
Of Masks, Mimicry, Misogyny, and Miscegenation: Forging Black South African Masculinity in Bloke Modisane’s Blame Me On History; M.Goldsmith
The Troubled Masculinities of Tsitsi Dangarembga’s Nervous Conditions; K.Holland
(Dis)Enabling Masculinities: The Word and the Body, Class Politics and Male Sexuality in El Saadawi’s God Dies by the Nile; S.Hayward
The Masculine Subject of Colonialism: The Egyptian Loss of the Sudan; W.C.Jacob.
Lamm, Kimberly. (2003). Visuality and black masculinity in Ralph Ellison’s Invisible Man and Romare Bearden’s photomontages. Callaloo. Baltimore: Summer, Vol. 26, Iss. 3.
Lang, Robert. (2002). Masculine Interests. Homoerotics in Hollywood Film. New York: Columbia University Press.
Leddick, David. (2000). Naked Men, Too. Universe Books. (Nudes)
Lehman, P. (1998). In an Imperfect World, Men with Small Penises are Unforgiven: The Representation of the Penis/Phallus in American Films of the 1990s. Men and Masculinities, 1(2): 123-137.
Lehman, Peter. (1991). Penis Size Jokes and their Relation to Hollywood’s Unconscious. In Horton, A. (ed.). Comedy/Cinema/Theory, Berkley: University of California Press.
Lehman, Peter. (1993). Don’t Blame This on a Girl: Female Rape-Revenge Films. In Cohan, S. and Hark, I.R. (eds.). Screening the Male: Exploring Masculinities in Hollywood Cinema. London: Routledge.
Lehman, Peter. (1998). In an Imperfect World, Men With Small Penises are Unforgiven: The Representation of the Penis/Phallus in American Films of the 1990s. Men and Masculinities, 1(2), October
Lehman, Peter. (ed.). (2000). Masculinity: Bodies, Movies, Culture. New York: Routledge.
‘Someone is going to pay’: Resurgent white masculinity in Ransom / Krin Gabbard.
Crying over the melodramatic penis: Melodrama and male nudity in films of the 90s / Peter Lehman.
The saviors and the saved: Masculine redemption in contemporary films / Amy Aronson and Michael Kimmel.
Identity, queerness, and homosocial bonding: The case of Swingers / Justin Wyatt.
Rape fantasies: Hollywood and homophobia / Joe Wlodarz.
‘Choosing to be. not a man’: Masculine anxiety in Nouri Bouzid’s Rih essed/Man of ashes / Robert Lang and Maher Ben Moussa.
T(he)-men’s room: Masculinity and space in Anthony Mann’s T-men / Susan White.
The talented Poststructuralist: Heteromasculinity, gay artifice, and class passing / Chris Straayer.
‘Emotional constipation’ and the Power of dammed masculinity: Deliverance and the paradoxes of male liberation / Sally Robinson.
‘As a mother cuddles a child’: Sexuality and masculinity in World War II combat films / Robert Eberwein.
The nation and the nude: Colonial masculinity and the spectacle of the male body in recent Canadian cinema(s) / Lee Parpart.
Lynching photography and the ‘black beast rapist’ in the southern white masculine imagination / Amy Louise Wood.
Screening the Italian-American male / Aaron Baker and Juliann Vitullo.
‘Studs have feelings too’: Warren Beatty and the question of star discourse and gender / Lucia Bozzola.
James Bond’s penis / Toby Miller.
Oliver Stone’s Nixon and the unmanning of the self-made man / Dennis Bingham.
Suck, spit, chew, swallow: A performative exploration of men’s bodies / Tim Miller.
Leighninger, Robert D. (1997). The Western as Male Soap Opera: John Ford’s Rio Grande. Journal of Men’s Studies, 6(2), Winter, pp. 135-148.
Leland, J. M. (2004). Yes, That is a Roll Of Bills in My Pocket: The Economy of Masculinity in The Sun Also Rises. The Hemingway Review 23(2): 37.
Lewis, Jon. (1983). An Officer and a Gentleman: Male Bonding and Self Abuse. Jump Cut, 28.
Lewis, R. (2020). “This Is What the News Won’t Show You”: YouTube Creators and the Reactionary Politics of Micro-celebrity. Television & New Media, 21(2), 201-217. doi:10.1177/1527476419879919
Linneman, T. J. (2008). How Do You Solve a Problem Like Will Truman?: The Feminization of Gay Masculinities on Will & Grace. Men and Masculinities, 10(5): 583-603.
Linneman, T.J. (2008). How do you solve a problem like Will Truman? The feminization of gay masculinities on Will & Grace. Men Masc., 10: 583–603.
Lippe, R., and F. Jacobwitz. (1986). Masculinity in the Movies: To Live and Die in LA. CineAction, Summer/Fall.
Lucas, Rose. (1996). Dragging It Out: Tales of Masculinity in Australian Cinema. Meridian, Special Issue: Masculinities, 15(2), October.
Lucas, Rose. (1998). Dragging It Out: Tales of Masculinity in Australian Cinema, from Crocodile Dundee to Priscilla, Queen of the Desert. Journal of Australian Studies, no.56, pp. 138-146.
Martín, Alegre. Shades of Evil: The Construction of White Patriarchal Villainy in the Star Wars Saga. (2011). In Josep M. Armengol (ed.). Men in Color: Racialised Masculinities in US Literature and Cinema. Newcastle: Cambridge Scholars Publishing, 2011. 143-167.
Martín, Sara. (2002). Regenerating the War Movie?: Pat Barker's Regeneration according to Gillies Mackinnon. Literature/Film Quarterly 30.2, 98-105.
Martín, Sara. (2013). Heterosexual Masculinity in Despair: Dan White in Rob Epstein’s The Times of Harvey Milk and Gus Van Sant’s Milk. In Eduardo de Gregorio-Godeo and Ángel Mateos-Aparicio Martín-Albo (eds.), Mapping Identity and Identification Processes: Approaches from Cultural Studies. Berlin and New York: Peter Lang. 179-194.
Martín, Sara. (2019). Obi-Wan Kenobi and the Problem of the Flawed Mentor. Foundation: The International Review of Science Fiction, 48.1, #132, 37-53.
Martín, Sara. (2020). Representations of Masculinity in Literature and Film: Focus on Men. Newcastle upon Tyne: Cambridge Scholars Publishing.
Introduction: Why We Should Focus on Men
One. Queerying Antonio: Michael Radford’s The Merchant of Venice and the Problem of Heterosexism
Two. Heathcliff’s Blurred Mirror Image: Hareton Earnshaw and the Reproduction of Patriarchal Masculinity in Wuthering Heights
Three. In Bed with Dickens: Ralph Fiennes’s The Invisible Woman and the Problematic Masculinity of the Genius
Four. Recycling Charlie, Amending Charles: Dodger, Terry Pratchett’s Rewriting of Oliver Twist
Five. Between Brownlow and Magwitch: Sirius Black and the Ruthless Elimination of the Male Protector in the Harry Potter Series
Six. Odysseus’s Unease: The Post-war Crisis of Masculinity in Melvyn Bragg’s The Soldier’s Return and A Son of War
Seven. A Demolition Job: Scottish Masculinity and the Failure of the Utopian Tower Block in David Greig’s Play The Architect and Andrew O’Hagan’s Novel Our Fathers
Eight. Rewriting the American Astronaut from a Cross-cultural Perspective: Michael Lopez-Alegria in Manuel Huerga’s Documentary Film Son & Moon
Nine. Discovering the Body of the Android: (Homo)Eroticism and (Robo)Sexuality in Isaac Asimov’s Robot Novels
Ten. Educating Dídac, Humankind’s New Father: The End of Patriarchy in Manuel de Pedrolo’s Typescript of the Second Origin
Eleven. Obi-Wan Kenobi and the Problem of the Flawed Mentor: Why Anakin Skywalker Fails as a Man
Twelve. The Anti-Patriarchal Male Monster as Limited (Anti)Hero: Richard K. Morgan’s Black Man/Th3rteen
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