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Arnold, John H., and Sean Brady (eds.). What is Masculinity? Historical Dynamics from Antiquity to the Contemporary World. Palgrave Macmillan.
Introduction; J.H.Arnold & S.Brady
PART I: PARADIGMS AND NOMENCLATURE
The History of Masculinity: an Outdated Concept?; J.Tosh
Can the Hegemon Speak? Reading Masculinity through Anthropology; D.F.Janssen
The Whig Interpretation of Masculinity? Honour and Sexuality in Late Medieval Manhood; C.Fletcher
Masculinity without Conflict: Noblemen in Eighth and Ninth-Century Francia; R.Stone
PART II: MASCULINITY AND HEGEMONY
Masculinities in Early Hellenistic Athens; H.Berg
Masculinity as a World Historical Category of Analysis; S.Yarrow
Hegemonic Masculinities? Assessing Change and Process of Change in Elite Masculinity, 1700-1900; H.French
M.Rothery
Masculinity and Fatherhood in England c. 1760-1830; J.Bailey
PART III: MATURING AND ADULTHOOD
Athenian Pederasty and the Construction of Masculinity; T.K.Hubbard
An Orchard, a Love Letter, and Three Bastards: the Formation of Adult Male Identity in a Fifteenth-Century Family; R.E.Moss
‘To make a Man without Reason’: Examining Manhood and Manliness in Early Modern England; J.Jordan
‘Boys, Semi-Men and Bearded Scholars’: Maturity and Manliness in early Nineteenth-Century Oxford; H.Ellis
PART IV: DOMESTICITIES
St. Francis of Assisi and the Making of Settlement Masculinity, 1883-1914; L.Matthews-Jones
Homes Fit for Homos: Joe Orton, Masculinity, and the Domesticated Queer; M.Cook
Three Faces of Fatherhood as a Masculine Category: Tyrants, Teachers, and Workaholics as ‘Responsible Family Men’ during Canada’s Baby Boom; R.Rutherdale
PART V: MODERN FRONTIERS
Cow Boys, Cattle Men, and Competing Masculinities on the Texas Frontier; J.M.Moore
Valorising Samurai Masculinity through Biblical Language: Christianity, Oscar Wilde, and Natsume Soseki’s novel Kokoro; K.Miyazaki
‘Proper Government and Discipline’: Family Religion and Masculine Authority in Nineteenth-Century Canada; N.Christie
Punters and their Prostitutes: British Soldiers, Masculinity, and maisons tolérées in the First World War; C.Makepeace
Conclusion
Masculinities, Histories, and Memories; V.Jeleniewski Seidler

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 1. Masculine Splendor.
 2. Men Receive a Wound, and Submit to a Defeat.
 3. A Purity He Does Not Show Himself.
 4. I Am a Soldier of Christ.
 5. We Priests Have Our Own Nobility.
 6. My Seed is a Hundred Times More Fertile.
 7. The Manliness of Faith.
 8. Eunuchs for the Sake of the Kingdom of Heaven.

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Guest editorial: Australian masculinities / Moore, Clive.
Commanding men: Masculinities and the convict system / Evans, Raymond and Thorpe, Bill.
Colonial manhood and masculinities / Moore, Clive.
Playing fields through to battle fields: The development of Australian sporting manhood in its imperial context, circa 1850-1918 / Adair, Daryl et.al.
The Australian legend: Writing Australian masculinity/writing ‘Australian masculine’ / Murrie, Linzi.
Lovable larrikins and awful ockers / Rickard, John.
War and masculinity in twentieth century Australia / Garton, Stephen.
‘Specimens of superb manhood’: The lifesaver as national icon / Saunders, Kay.
Percy Grainger and Manliness / Pear, David.
Fantasy worlds: The depiction of women and the mating game in men’s magazines in the 1950s / Laurie, Ross.
‘So tough’? Masculinity and rock’n’roll culture in post-war Australia / Evans, Raymond.
Dragging it out: Tales of masculinity in Australian cinema, from Crocodile Dundee to Priscilla, Queen of the Desert / Lucas, Rose.
Blokus domesticus: The Sensitive New Age Guy in Australia / McMahon, Anthony.
Behaving outrageously: Contemporary gay masculinity / Moore, Clive.
Changing masculinities: Disruption and anxiety in contemporary Australian writing / Murrie, Linzi.

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Sinha, Mrinalini. (1999). Giving masculinity a history: Some contributions from the historiography of colonial India. Gender & History, 11(3), November.

Slavin, David Henry. (2001). Colonial Cinema and Imperial France, 1919-1939: White Blind Spots, Male Fantasies, Settler Myths. Baltimore: Johns Hopkins University Press.
1. Cultural Hegemony in French-Algerian History.
2. The Form of Rule in Cultural Context.
3. Heart of Darkness, Heart of Light: La Mission Civilizatrice and Le Cafard in L’Atlantide.
4. French Cinema’s Other First Wave: The Political and Racial Economics of Filming the Colonies.
5. Tourists, Rebels, and Settlers: French-Moroccan Film in Decline, 1926-1931.
6. French Colonial Film before and after Itto. (1934): From Berber Myth to Race War.
7. The Thin White Line of Western Civilization: Foreign Legion Movies.
Masculinity, and Family Life.
8. Poetic Realism’s Cinema Colonial: Native Sons of the Popular Front?.
Conclusion: Political Consequences of Blind Spots and Privilege.

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